A Discussion on the Renaissance Art and Its Influences Essay Example for Free

A Discussion on the Renaissance Art and Its Influences Essay 1. The Renaissance style is considered as a collective movement related to the reawakening of art – particularly drawing, painting, sculpture, and architecture – that centered in Italy from 1300-1600 (Cunningham and Reich, 2009, p. 265-266).   This movement evolved over the years as people – tired of the medieval life of poverty and sickness – started to develop new world views.   These world views centered on essential and profound questions related to human beings, their lives, and their purposes in lives.   They formed striking similarities to the Greco-Roman intellectual discourses, which were overshadowed during the dark times of the medieval age but rediscovered during the reawakening period of the Renaissance. Experts agreed that the Renaissance movement started in Florence, Italy, then a trading center between Europe and the rest of the world and a platform for exchange of ideas, purchase of arts, and commissioning of literary works (Cunningham and Reich, 2009, p. 267).   In Italy, people began to question tradition and authority, focus on life on earth, shape their own destinies, educate their selves and revisit the classical teachings from Greece and Rome.   Teachings from Italy were then dispersed elsewhere in Europe and the world through the printing press, a revolutionary invention during the Renaissance (Cunningham and Reich, 2009, p. 265). See more: Homelessness as a social problem Essay One example of a Renaissance art that is a symbol of the inner health of the people during that era was Raphael’s School of Athens (Cunningham and Reich, 2009, p. 315).   This painting pictured the great minds who existed in the city of Athens in Greece – Socrates, Plato and Aristotle – who were gathered in what appeared to be a school.   In the painting, the great minds seemed to be enthralled in a lively exchange of ideas.   Experts said that School of Athens attempted to show that the ancient greats of Greece were as good as the Renaissance men of Leonardo, Raphael and Michelangelo.   In fact in the painting, the three Renaissance artists were supposed to be Socrates, Plato and Aristotle. Another example of a Renaissance art that embodied the dynamism and transformation peculiar to the period was the sculpture of Michelangelo of David when the artist was at a relatively young age of 26 (Cunningham and Reich, 2009, p. 286). David was depicted as a civilized and a thinking individual who contemplates on challenges without immediately resorting to unnecessary brute.   David was said to represent the brightness of the Renaissance man.   It was also said to epitomize the confidence that the people then were feeling in influencing their destinies in terms of trouncing evil and gaining victories. Renaissance humanism is a notion that sprang during this period.   This notion placed emphasis on the capacity of human beings to manipulate their future without overreliance on the church (Cunningham and Reich, 2009, p. 287).   Although much of the art works had religious themes, the works portrayed religious icons as humans.   Such portrayal made light of the religious canons imposed by the church.   Instead, the portrayal highlighted the human spirit and its capacity to elevate to great heights.   One example of an art work that displayed humanism was Sandro Botticelli’s Birth of Venus, which depicted the goddess as an innocent woman with the use of pastel colors.   Another example is Simone Martini’s Annunciation, where an angel painted in realistic human dimensions and appearance appeared to tell Mary that she will bear God’s son. The rebirth of the artistic movement in Italy was largely attributed to the successful businessmen in the city of Florence who fed, trained, educated and provided for the basic needs of the artists (Cunningham and Reich, 2009, p. 268).  Ã‚   These patrons commissioned works based on clear-cut agreements. The powers of these businessmen from the Medici family stretched all the way to Rome, allowing many artists to secure contracts to accomplish religious works of arts for the Catholic Church.  Ã‚   The patronage of the Medici family for the artists was crucial to the Renaissance as artists were elevated to a stature important to the beautification and strengthening of the culture of Florence.   When the Medici family declined, artists went to Rome where they received the patronage of the pope (Weekly Lectures, n.d.). 3. Prior to the Protestant Reformation, there had been a fierce and widespread sentiment about the perceived abuses of the Catholic Church (Cunningham and Reich, 2009, p. 240).   People felt that the leaders of the church were leading extravagant lives that contrasted with the generally modest, if not poor, living of the majority of the people.   There were classes within the population that wanted to lead  Ã‚  Ã‚   towards positive change.   People were also weary of being caught in the cross-fire of conflicts between the Catholic Church and Kings, both desired power and wealth. To top these off, people were staring to change their beliefs about the capabilities of human beings during the Renaissance. These situations were the precursors to the ushering of the Protestant Reformation, which was set off by German monk Martin Luther.   Luther questioned the corruption and moral degradation in Rome and in the whole of the Catholic Church through his writings in The 95 Theses.   The Church however was not willing to change its ways.   It then financed the Counter-Reformation (Cunningham and Reich, 2009, p. 297). Immediately, art became the medium of propagating the beliefs of the Protestants, who had their bailiwicks in northern Europe, and Catholics, whose strongholds were in the south.   For the Catholics, art must focus on religious contents with certain symbolisms that magnify the holiness of the contents.   The Catholic art was similar to the art that had prevailed in the Middle Ages.   For the Protestants, Catholic religious contents in arts were idolatrous that must be destroyed through iconoclastic movements during the Protestant Reformation. The Protestant art was similar to the art of the humanist Renaissance artists who depicted contents in realistic settings. As a response to the Protestant Reformation, the Catholic Church introduced a Counter-Reformation.   It instituted a few changes within the church but became more austere in regulating heresy.   Regulations covered the arts, sending Catholic painters to produce religious contents similar to those done during the Middle Ages. Content in arts was the distinguishing factor between the Reformation and the Counter-Reformation.   For the Protestants during the Reformation, paintings centered on mundane activities of everyday existence.   Occasionally, paintings drawn out of scenes from the Bible were made.   However, these paintings depicted the religious contents in a humanistic manner.  Ã‚   Simple scenes found in regular occasions were also contained in paintings.   Generally, the contents did not attempt to glorify contents through symbols. For the Catholics during the Counter-Reformation, paintings focused on idealized religious contents that contained symbolisms of holiness, omnipotence, and great glory.   These religious contents were idealized in terms of appearance and the environment in which they were depicted to move.   Painters did not paint flaws.  Ã‚   They likewise veered from common scenes experienced by common people.   Some of the religious contents depicted in the Counter-Reformation included Catholic saints, sacraments, traditions, and codes of belief taught by the Catholic Church. The arts during Protestant Reformation and Counter-Reformation were divergent largely because of the opposing world views espoused by the Protestants and the Catholics.   On one hand, the Protestants believed that man could shape his destiny and approach God because the sacrifices of Christ were enough to save human souls.   On the other hand, the Catholics believed that intermediaries like saints and the Virgin Mary were needed to help Catholics approach God and enter the gates of heaven. Because intermediaries were needed, Catholics created relics where divine powers were supposed to reside.   A form of these relics is a typical painting created during Reformation.   Catholics worshipped the relics and sought from these relics intervention in order to get the graces of God. Because Protestants believed in the value of man and Christ’s sacrifices, they loathed these relics and called these relics channels of idolatry.

Website Analysis Essay -- Computers Internet Essays

Website Analysis Sometimes it seems like the computer game industry is dying, crushed to death by its own bulk. Every year more and more gaming companies get gobbled up into huge conglomerates like Electronic Arts, companies that mostly put out trash that is technically and visually impressive, but devoid of concept and content. However, there are some small gaming companies that buck the trend. While mostly just small groups of programmers and artists, some are huge unions of fans who, irritated with the dropping quality of computer games, have decided to use the power of the internet to get together and to produce games tailor-made to their personal preferences. For the sake of comparison, Electronic Arts' website (http://www.eagames.com/) was examined. Like many company websites, it is very pretty, with pictures of the games everywhere. The dark backgrounds and light text are easy on the eyes, and the site is well organized. Tabs on the left let the viewer select the desired gaming platform; pull-down menus and a search bar on the top allow for easy access to the game titles. Each gaming title has a sub-webpage which provides a vignette of the game: a short synopsis, pictures of game play, system requirements, a link to the official webpage of the game (which usually has a separate layout and more diverse information, along with reviews, etc), and of course a â€Å"Buy Now† link. The EA Games website does a very good job of providing information about its products to someone who knows nothing of its games, giving enough of a description to pique the viewer's interests; it is primarily in place for advertisement, and would not make a good nexus for a fan community of its games-- it provides no forums, lists of clan matches ... ...his broadband connection to play multiplayer games over the internet (and therefore has the bandwidth to spare to load a site with many large, connection-clogging features), the games produced by Moonpod and Hero6 are older in style, and therefore appeal more to gamers who prefer traditional, offline games, games best enjoyed in single-player mode. Traditional gamers don’t need a fast connection for the sort of games they play, and may be more likely to use the cheaper 56K dialup. They can't be bothered to go to a website that would take the better part of an hour to load, so Moonpod and Hero6 program their pages accordingly. Depending on what one was looking for, I could confidently recommend any one of these sites, or all of them. All are well done, and I know that I for one am the target audience of all three, as I play games displayed on each of the websites.

Character Sketch of Patrick Jane in The Mentalist

Character Sketch – Patrick Jane, The Mentalist Patrick Jane is the primary character on The Mentalist, a dramatic series that uses the homicide team of the California Bureau of Investigation (CBI) to showcase Jane’s talents. He has a reputation for his observation skills, which are highly useful when questioning suspects and witnesses, even though he can appear unfeeling when interacting with the recently bereaved. He frequently challenges his superiors, and does it in a mocking manner.Jane’s career prior to the CBI gig was as a charlatan, actually. He was the kind of entertainer that people in need actually believe in – they think he can speak to their dead relative and deliver messages. He was really just reading the audience members’ body language, and filling in the blanks from his imagination. In his interactions with his co-workers and suspects he comes off as quirky, but is quite often spot-on. Otherwise the series wouldn’t have lasted four years (so far).His has a great sense of humor, and is mischievous, even though he is still in mourning for his wife and child, who were murder victims. This creates a high degree of tension and may act as Jane’s motivation in his quest to find the murderer in each episode. Jane is a very attractive white male in his thirties. He’s of average height, with a slim build. His curly, light-brown hair is a little too long to be considered professional. While he always wears a jacket and usually wears a vest, he never wears a tie.Jane’s unconventional attire matches his apparent need to flaunt authority by baiting his superiors. When Jane is trying to work out a problem, he lies on the couch in the the detectives’ area, shuts his eyes, and lets the pieces fall into place. Quite often he sits on that same couch to have a cup of tea. We never see him drinking anything else. Jane is a round character, as we see his struggle to deal with his loss, to develop h is relationships with co-workers, particularly Lisbet. She may be, at some point, a love interest.There are flashbacks to illustrate (showing us) the horror he encountered when he discovered his family’s bodies, and we see that he’s getting emotionally healthier, though he still struggles. His character is dynamic in that regard, yet consistent in his appeal, his cockiness and his mockery of those who take themselves too seriously (telling us his personality traits). He is plausible to the degree that it is possible there’s a person like this – he isn’t superhuman, or anything. He’s just so charming, and so sympathetic, that it’s unlikely that any of us will meet anyone like this. It does work, though.

Biography of the Roman Emperor Vespasian

The historical importance of Vespasian is as the founder of the second imperial dynasty in Rome, the Flavian Dynasty. When this short-lived dynasty came to power, it put an end to the governmental turmoil that followed the end of the first imperial dynasty, the Julio-Claudians. He started major building projects like the Colosseum and raised revenue through taxation to finance them and other Rome improvement projects. Vespasian was officially known as Imperator Titus Flavius Vespasianus Caesar. Early Life Vespasian was born Nov. 17, 9 A.D., at Falacrinae (a village northeast of Rome), and died June 23, 79, of diarrhea at Aquae Cutiliae (location of baths, in central Italy). In A.D. 66 Emperor Nero gave Vespasian military command to settle the revolt in Judaea. Vespasian acquired a military following and soon became Roman emperor (from July 1, 69-June 23, 79), coming to power after the Julio-Claudian Emperors and putting an end to the chaotic year of the four emperors (Galba, Otho, Vitellius, and Vespasian). Founding the Flavian Dynasty Vespasian established a short (3-emperor) dynasty, known as the Flavian dynasty. Vespasians sons and successors in the Flavian Dynasty were Titus and Domitian. Vespasians wife was Flavia Domitilla. In addition to producing the two sons, Flavia Domitilla was the mother of another Flavia Domitilla. She died before he became emperor. As emperor, he was influenced by his mistress, Caenis, who had been secretary to the mother of Emperor Claudius. Source: DIR Vespasian